Showing posts with label Bobo Puddlegum. Show all posts
Showing posts with label Bobo Puddlegum. Show all posts

Friday, 24 February 2012

Busy Mode

“The Resident you messaged is in 'unavailable mode' which means they have requested not to be disturbed…”
Second Life Viewer, Feb/March 2012

I have been working on a film for a few months now - an experimental work using relatively straightforward concepts in what I hope will be an entirely new and exciting way. Certainly it will be a first in SL adult films and I am not aware of it being used yet in other machinima.
As an experimental piece (to practice using Adobe Audition and dynamic-linking for a University module), I do not expect it to be especially popular or “award winning”. I am perfectly fine with that. However, I do hope to “set the bar” for anyone who wants to follow-on and create something similar.
The problem is, I am getting nowhere quickly! I keep getting distracted on other projects, all enjoyable, but also all very time-consuming.
For example, I spent approximately six weeks chairing the judging panel for THE SEXIEST® machinima awards; blog-posts like Innsmouth or Bryn Oh will typically take up all my weekday evenings over a two week period. All this is on-top of my Uni studies and homework which, of course, takes priority.
Over Christmas I had three weeks holiday which I had originally intended to devote to this experimental film. As it happens, I actually spent one afternoon; the remainder of the time was spent on other productive but unplanned tasks.
It used to be that I would log into SL and dance on one monitor while working in Premiere Pro, After Effects or Photoshop in my second monitor. However, nowadays, the constant stream of IMs – from the very moment of logging in until I log out - makes that nigh impossible. They are all lovely IMs from lovely people but, it has to be said, are very distracting from a productive and creative point-of-view.
So….until this film is finished, I’ll be logging into SL less and will not be publishing any “in-depth” blog-posts. This is a shame because I find both activities immensely enjoyable and satisfying but if I don’t do this I fear the experimental film will never get completed.
As soon as the experimental film is complete, I’ll start work on my UWA5 entry. Problem is Bobo is still away on his world cruise and that ‘ole salty seaman is the star of the film!
We don’t know when he gets back but he is greatly missed at Lar’s.

Pixie xx

Friday, 10 February 2012

MachinimUWA V: Seek Wisdom



Buggar.
The MachinimaUWA V theme, rules and closing date have been released. And I have committed myself to entering this time.
The prize pool for UWA V stands at L$ 650,000 (approx. $3000USD). That is a serious level of commitment.
More details can be found here.
At the moment I have one film in early post-production and two others in planning. All three are progressing *so* slowly – I always seem to find I have something else that needs doing; some other priority. This blog is one example; my University studies another.
I have also found recently that most of my time in Second Life is spent answering IMs rather than actually creating.
Bobo and I have planned to make a UWA film called “Being Bobo Puddlegum”.
I suppose we are going to have to pull up our bootstraps and actually get some work done if we are going to finish before the deadline of 30 June.
Problem is, Bobo is gallivanting the oceans on a world cruise after winning 1st Prize in a competition to complete the following sentence in 10 words or less: 
“I love Pixie Puddlegum even more than I love my fleshlight because…”.

Gawd, I miss that 'lil fella.

Wednesday, 25 January 2012

THE SEXIEST® - The Judges Unveiled!

I have great pleasure in introducing you to the fourteen individuals that comprise the judging panel for this year’s THE SEXIEST® adult machinima contest.
Each of the judges are authorities in their own field and have selflessly donated their time, experience and knowledge into making this contest both fair and fun.
I would like to sincerely thank them for their contributions. I am proud and honoured to be on their Friends List.

Aspen Huntress (b. 22nd Feb 2010) is a Second Life photographer whose work is widely admired and respected.
Her talent and aesthetic sensibilities shine through in every picture she publishes.
Aspen is passionate and creative – and sometimes stubborn and obstinate – but always in her work we see a soul seeking expression through her chosen medium.
Aspen is pleased to report that she is feeling much better, and is optimistic for a full recovery, since the permanent restraining order was placed on Spunky Puddlegum.

Barry Lubezki (b. 3rd Jan 2007) is the creator and owner of the ever-popular ‘The Keyhole Club’.
Barry noticed how people in Second Life loved to watch others having sex and so at first created a live sex theatre.
In September 2008 he came up with the idea of a club designed and built especially for voyeurs and exhibitionists – the aptly named ‘The Keyhole Club’.
It was at the Keyhole that Barry opened Second Life’s first cinema dedicated to machinima pornography – ‘The Keyhole Cinema’ - in 2009.
Today, ‘The Keyhole Club’ attracts many thousands of people, all wanting to watch others or be watched.
And they all still visit the venue’s cinema because, as Bobo Puddlegum is fond of saying, “nobody can resist a good, hot movie!”

Bazz Soulstar (b. 4th Nov 2009) leads a double-life as a respected pillar of society and an absolute sexual pervert, in approximately equal measure.
Although Bazz has often been called a chameleon, he would rather be thought of as a kaleidoscope.
After a mind-expanding experience involving a nylon sock, a pair of maracas, a tuning fork and a small satsuma, Bazz is much more relaxed about life.
He has always been open and liberally minded and does not care much for censorship, other than that needed to protect children.
Bazz enjoys watching and reading pornography.
He considers 'The Grande Bouffe' and 'Fritz the Cat', two films he watched as a young man, as being instrumental in his development of enjoying erotic and unusual pornography.
Bazz Soulstar was so impressed with Bobo Puddlegum’s Remmington Fleshlight, he brought the company.

Trained by his cousins Solok and Nasty to be a performer at the Albanian State Circus, Bobo Puddlegum (b. 6th May 2010) has variously been employed as an acrobat, human cannon ball, clown, elephant tamer and pickpocket.
Bobo, always the womaniser, was honoured to be presented with the coveted “Playmate Midget of the Month” award.
Bobo lists his hobbies and interests as dancing, baking, knitting, embroidery, sailing, spanking and anal fingering.
He’ll often he found touring adult venues in Second Life while chewing on a pair of stolen knickers.

Debbie Trilling (b. 16th Oct 2006) is a Creative Director involved in some of the biggest shows to have been staged in Second Life, including ‘The Wall’ and ‘Metropolis’.
For the last three years, she has led the team responsible for the climax of Second Life’s annual ‘Burning Life’ festival, the actual burning of ‘The Man’ itself.
Debbie has produced 80+ videos documenting her own and other 3D artists’ work in Second Life and other virtual worlds.
Her IM’s never get capped.
Debbie has asked that we do not reveal that she has a number of the Puddlegum family on her Friends List. We feel honour-bound to respect that request.

Ever enthusiastic about the creative possibilities inherent within Second Life, Ferdy (b. 9th Mar 2007) is owner of ‘The Village Café’ - a folk and world music venue that is especially welcoming to the transgender community.
The Village Café is inspired by early 1960s Greenwich Village, NYC.
Ferdy is Nasty Puddlegum’s favourite lover. Bobo fancies her too. And Solok. Even Spunky, for that matter.

Iono Allen (b. 24th June 2007) is a machinima film maker working from Paris, France.
Respected in the SL art community for his enthusiasm but balanced, honest encouragement, Iono has filmed numerous other artists’ work to great effect, as well as create his own movie stories.
Iono was winner of the 2010 Hosoi Ichiba Machinima Award and recently was awarded joint-fourth place in the prestigious MachinimUWA IV awards.
Iono has confirmed that he is now willing to collaborate on a future film project with Nasty Puddlegum after Nasty offered him a horse’s head that was impossible to refuse.

Lar Jun (b. 26th Jun 2007) is owner of the immensely popular ‘Old Lar’s House’, one of the few adult venues to be listed in Linden Lab’s ‘Destinations’.
Lar is most often described as a kindly, humorous, benevolent senior citizen and, in fact, is seen by many as being the perfick roll model.
He also has an enviable and deserved reputation as a babe magnet.
Lar is partnered to Marcy Palmer – rumoured to be able to tie knots in spaghetti with her tongue. Even in his senior years, Lar continues to enjoy excellent hand-to-knee co-ordination.
His hobbies include upskirt photography, drooling and drinking copious amounts of Budweiser. He is a regular contributor to ‘Face Sitting Weekly’.
Court records prove that he has had close business ties with the notorious Puddlegum Family as far back as 1964.

Although ‘WarmAnimations Lisa’ was born on 6th February 2010, her player’s experience as a virtual world entrepreneur actually began three years previously with the creation of two major projects for RL companies with a presence in SL.
After these projects were successfully concluded, and sensing an increasing demand for high quality clothes, she started to provide clothing templates to high-end branded virtual stores.
In 2009 she developed her virtual skills even further by creating animations - leading to the well-known and respected brand ‘Warm Animations’.
Lisa is still as eager as ever to improve and supply the best and most unique animations on the market and fully dedicates herself to developing and improving of the products.
Bobo Puddlegum has found 101 uses for Lisa’s best-selling ‘Dirty Sex Rug’; 102 if you also include using it for dirty sex.

Octavian Venera  (b. 2nd Nov 2006) has been an SL photographer for over five years.
He specialises in portraiture and erotica. His work is defined by its studious attention to detail and a clean, unfiltered composition.
His work is on display at the ‘SiLK Gallery’, open to the public.
Octavian considers each completed photograph as a small victory in creating beauty. He is fascinated by the process of meeting models that have managed to create their own individual look, and then capturing their unique beauty in a photograph.
Octavian rejected Spunky Puddlegum’s job application to be employed as a camera tripod. He did, however, once employ Bobo as a stand-in fluffer and underwear scrubber.

Paddledog v3.0 (b. 26th July 2007) is the latest release from Puddlegum Innovations.
Paddledog v3.0 represents a quantum improvement in usability and interactivity over all previous Paddledogs.
Key to this improvement is the patented integration of Random Chaotic Strange Attractor (RCSA) subroutines.
‘Lazy Buddhism’, ‘Exuberant Taoism’, ‘Soft Nietzschean’ and the ever-popular ‘Sacred Secularist’ modules are installed as standard.
To fully enjoy Paddledog v3.0 to her fullest, you will need the following minimum system requirements:
·        CPU Clock Speed: 120 IQ or above
·        Irony, Wit and Humour indexes in the 90th Percentile
A demonstration video of a fully functioning Paddledog v3.0 can be seen here.

Phillip Sidek (b. 6th Dec 2006) was born to parents Adam and Eva on a cold, rainy and moonless November night sometime in the early 1940s, as the family fled from Nazi persecution.
Exact details of Phillip’s birth place and date, and all attendant public records, have long been lost but the family solicitor has refused to deny rumours about a certain lowly cattle shed in Palestine.
His mother Eva was a beautiful, highly educated woman with an independent income as a respected piano teacher. Village gossip concerning an alleged long-term love affair with Solok Puddlegum in 1940/41 is almost certainly untrue. However, Eva has never satisfactorily explained how traces of Solok’s contaminated semen were found on her favourite blue dress or in her hair.
Phillip’s father, Adam Sidek III, was a dark, sinister and shadowy character. It is a documented fact that Adam had numerous affairs with the both the house maids and Phillip’s nannies.  An uncorked bottle of ‘Mother’s Ruin’ was always left on a shelf in the kitchen pantry for the female staff to gulp as necessary.
Phillip was Adam and Eva’s only child together. He was principally raised by several caring but very strict nannies. None of them ever spared the rod, nor spoilt the child.
Phillip did, however, have the benefit of private home tuition and the privilege of a University education. He majored in both economics and cosmetic plastic surgery at Prague University in 1964.
Phillip discovered his love for photography during a guided tour of Prague mortuary in 1965. It was here that he met his future wife, Pearl Kira-Sidek, as she ably assisted the coroner in an autopsy on a murder investigation.
Pearl and Phillip married quickly with Phillip photographing every sweet moment of their blossoming love. Pearl, however, found she could not accept Phillip’s extreme sexual appetite or his increasingly intense interest in fetish photography.
Divorce soon followed but not before Phillip had transformed Pearl from a humble mortuary technician to a top-class photographic model, and part-time escort.
Phillip has never had any children of his own, mainly due to his penchant for anal penetration.

Pixie Rain (b. 13th Feb 2010) - who by some freaky genetic accident is in fact the daughter of Solok *and* Nasty *and* Spunky *and* Bobo Puddlegum - is a digital artist who only gained a University place by sleeping with her college lecturer.
Pixie uses Second Life to practice film making techniques and experiment with artistic concepts that cannot easily be translated into RL films.
Straddling the dual worlds of SL art and SL pornography, Pixie’s combination of sexuality, visual aesthetics and quirky humour result in her unique and distinctive variety of adult-erotic machinima which, much to her surprise and delight, many people seem to enjoy.
Four of her films were nominated in different categories at last year’s THE SEXIEST® adult machinima contest, with one win. This year, however, Pixie was asked to be head of the jury panel and therefore, naturally, none of her films have been entered.
Pixie Rain has a complex personality – she has an oral fixation but cannot resist crunching down on hard-boiled sweets; a protestant work ethic but detests anal sex; takes pleasure in having penis envy but cannot stand dicks.
She has never had a latency period.

Tutsy Navarathna (b. 21st May 2008) is one of the foremost filmmakers working in Second Life today.
A French artist currently residing in Southern India, Tutsy was one of the original pioneers of experimental and avant-garde video in the 1980s and ‘90s.
His work has always explored that nebulous boundary line between the imagination and reality. His SL machinima continues to investigate this realm by seamlessly merging RL and SL footage.
Joint-winner of the prestigious MachinimUWA III award, outright winner of MachinimUWA IV and 1st runner-up of the influential international Machinima Expo 2011 awards, Tutsy’s films are a master-class in technique, composition, imagination, story-telling and simple artistic talent.
Although Tutsy confesses to having met Bobo and Nasty Puddlegum in the gentlemen’s lavatories at Gare de Lyon train station, he swears he didn’t inhale.

Saturday, 7 January 2012

Meet the New Boss, Same As The Old Boss!

Lar Jun
One House; Two Doors!
Today, DJ Peris kicked off the opening of the new ‘Old Lar’s House’ venue.
The new venue spans two sims which means more people can now enter – up to 80 at once!
Months in the planning, the new venue opened at only 15 minutes notice. Five minutes after Opening, the first sim was full to the brim – within an hour, 70 people were bopping away.
(click to enlarge)
There is a landing zone on each sim. If you try one entrance and find it full, simply use the landmark for the second entrance! One House; Two Doors!
The new venue looks exactly like the old one, and retains the same ambience and *feel*, but it is bigger and more “airy”. I like it.
Also, the new venue has its own fast food concession run by Nasty and Bobo Puddlegum, no less! From personal experience, I can not recommend the House Special. Or the Clam Surprise, for that matter.
The Bearded Clam
Old Lars recently celebrated its 2nd Anniversary and registered as the #23 most popular venue in Second Life for December 2011.
Lar has also been sponsoring my films since my very earliest days in SL. I am happy and proud to count Lar, and many of the regulars at Lar’s, amongst my friends.
Come on over, say ‘Hi’ and have a laugh!
Pixie xx

Wednesday, 21 December 2011

Being Bobo Puddlegum


"The reason I will not exhibit this picture is

that I am afraid that I have shown in it the secret of my own soul."

Oscar Wilde
The Picture of Dorian Gray (1890)
(click to enlarge images)

For at least a year Bobo Puddlegum and I have been kicking around ideas for a machinima loosely based on the 1999 black comedy-fantasy ‘Being John Malkovich’ – a film which, seriously, if you haven’t already seen you really should make the effort to track down and watch.
It is brilliantly original, funny and, in parts, really quite bizarre.
Just like Bobo himself in fact!
However due to schedule conflicts, other project commitments and RL generally, none of these ideas have managed to come to fruition.
Three nights ago though, I had a dream!

Usually my dreams involve giving finite but infinitely-expanding blowjobs to respected UK physicist Brian Cox – a name which has more Freudian connotations and psychoanalytic comedy-value than anyone truly deserves, no matter how bad their karma. Whenever I dream of Cox, I always wake suddenly when, just as I approach the event horizon, Brian prematurely ejaculates down my throat at the speed of light.

I dream some weird shit sometimes.

But this particular dream, which dear reader I assure you I have no intention of boring you with, managed to combine elements from Wilde’s ‘The Importance of Being Earnest’* with ‘Being John Malkovich’, Bobo Puddlegum and, significantly, the forthcoming 2012 MachinimaUWA V machinima contest.
Like I said, I dream weird shit sometimes.
Because of encouragement from Iono Allen, Glasz Decuir and Tutsy Navarathna, last month I finally committed to entering a machinima into the UWA 5 contest.
The dream of three nights ago provided the broad conceptual subject matter for my MachinimaUWA V entry. No! It doesn’t star Brian Cox (although I am sure I could find an opening or two for him!) but rather a film which is to be entitled “Being Bobo Puddlegum”.
Bobo & I will need to work out the details and finalise a script. We’ll also need to know what the MachinimaUWA V theme will be. However, there are some things which are already clear:
1)    It will not be disrespectful to other peoples’ art work. Although, most likely it *will* be irreverent this will be done in a respectful and humorous way.
One day I intend writing about the work of SaveMe Oh who frequently walks the precarious tightrope between irreverence and disrespect. The debate rages which side of this equation she most often falls!
2)    It will not be a porn movie. I cannot rule out nakedness – Bobo’s natural state – but it most certainly will not be pornographic and very unlikely to have any sex scenes.
I understand and accept the fact that this almost certainly means that this particular film will be of no interest in certain circles. This is fine.
3)    It will essentially be a comedy. We hope. Or light-hearted, at least.

With all that settled, Bobo & I thought it only right to give Jayjay Zifanwe fair notice to organise a Plague Doctor,  because that pandemic pestilence that is the Puddlegum’s are about to befall the previous piety and purity that is MachinimaUWA.

Sorry.


Bobo & Pixie Puddlegum xx

* 'The Importance of Being Earnest' is subtitled 'A Trivial Comedy for Serious People'
The 'Being Bobo Puddlegum' poster created by Bobo Puddlegum.
All other images by Pixie Puddlegum.
The 'Plague Doctor' performed by Tutsy Navarathna at Innsmouth region


Sunday, 20 November 2011

MachinExpo 2011 - A Worldwide Phenomena

185 machinma entered the contest. 61 were selected for screening. 11 were selected to compete. But there would only be 4 prize winners...
Tikaf Viper, Iono Allen, Pixie Rain, Tutsy Navarathna
MachinExpo 2011, probably the most important of all the machinima festivals, is being held this weekend.
A significant point about MachinExpo is that there are entries from numerous digital media, not just Second Life (SL). In fact, in the top entrants, SL machinima entries are easily outnumber by other forms of machinima.
Iono Allen, Pixie Rain, Tutsy Navarathna, Tikaf Viper
In a few weeks I hope to do a review of 3D cinematic tools such as MovieStorm and iClone - popular and *effective* alternatives to using SL for making machinima.
You'll see examples how these applications can be used in the film links below or by visiting their web sites.
Chantal Harvey, Pixie Rain, Tutsy Navarathna
MachinExpo is broadcast live across the internet from purpose built studios within SL.
Although there is a small studio audience, most avatars watch the broadcast from the UWA Theatre.
But even that doesn't really tell the whole story because, by far, the majority of the viewing audience watch over the internet.
Many of the viewers would never have even been in SL.
Chantal Harvey, Pixie Rain
I was asked to attend with Tutsy Navarathna whose UWA III winning 'A Journey Into the Metaverse' was one of the eleven machinima selected to compete in the contest.
My role was to answer the audience's questions about Tutsy's film and his film making techniques, on his behalf - due to language difficulties and chat lag caused by 
bandwidth deprivation.
The questions that the audience posed were intelligent and knowledgeable - and ranged from machinima techniques, software and aesthetics.
Tutsy's role was to provide much needed eye candy (joke!!).
Pixie Rain, Tutsy Navarathna
All eleven of the competing films are screened at the festival and each Director participates in a Q&A session.
The standard of these eleven films is really quite daunting. The Q&A was very interesting but what stuck me deeply is how machinima really is becoming a worldwide phenomena - and SL just a small slice of the bigger picture.
From the eleven competing films, there are four prize winners.
I have to tell you, all four are sensational.
But what is truly interesting to me is that only one of those four is actually filmed in SL - the others were filmed using alternative software.
"Mastermind" - the 2nd Runner Up - was particularly surprisingly to me personally because I had absolutely no idea that such incredible film making could be done within video games like Grand Theft Auto - even through I was familiar with Ian Chisholm's 'Clear Skies' series, filmed in EVE Online.
All four winning films are definitely worth watching and, imo, *should* be watched and studied by anyone serious about the emerging art of machinima.
In traditional reverse order, then....the MachinExpo 2011 winners are:


3rd Runner Up: The Goalkeeper and the Void by Marta Azparren (Pro Evolution Soccer 09)


2nd Runner Up: Mastermind by Ezequiel Guerisoli (Grand Theft Auto)


1st Runner Up:  A Journey Into the Metaverse by Tutsy Navarathna (Second Life/Real Life)


Grand Prize Winner: Haunter of the Dark by Phil Browne (iClone)




I accepted Tutsy's award on his behalf - electrical storms in India having decimated his broadband connection - and gave the following acceptance speech for him:


"I am so honoured to be presented with this award.
The quality of the entries are stunning in their scope.
It is humbling to be compared amongst them.
Machinima, as an emerging art form and as a form of social expression, is starting to find its own definition.
As early adoptors we are casting the foundations but, it is the future of the form and the changes ahead which are truly exciting! Thank you."


After the Award Ceremony, Bobo Puddlegum & I moseyed on down to the After-Event Party and boogied away with DJ Hathead to '70s dance music.
Bobo Puddlegum, Pixie Rain